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Presented by FACP and hosted by the Cultural Center of the Philippines, the 2026 FACP Manila Conference is now officially open for registration. Across four days of the conference, you’ll engage in keynote and panel discussions that challenge perspectives, witness groundbreaking ideas at the Pitch for New Aspects, and celebrate excellence through Asian Gems in the Arts. With special performances highlighting the vibrancy of Asian performing arts’ creativity, the conference promises inspiration, exchange and meaningful connections for everyone passionate about the performing arts. Secure your place today to enjoy the early bird discount! 📌2026 FACP Manila Conference 🎯Performing Arts: Beyond the Next Stage 🗓️ 9–12 September 2026 📍Adamson University, Manila 🎫 Early Bird Pass: US$280 *FACP membership must be renewed or activated when registering for the 2026 Conference Conference Schedule: www.facp.asia/2026-conference Registration: www.facp.asia/2026-registration More exciting details of the conference to be announced soon – stay tuned! #FACP2026 #PerformingArtsBeyondtheNextStage #PitchforNewAspects #AsianGemsintheArts #performingarts #theater #dance #artsmanagers #performingartsconference

Following a thorough jury review, we are thrilled to share the outcome of this year’s AGA selection - six exceptional groups have been chosen to perform at this year's FACP Annual Conference in Manila as part of the AGA showcase. The selected groups are: • Burmaa Gungeedash • Ham an Ensemble • JAGUANK • "Khan Khuur" quartet • La Salle Dance Company - Contemporary • Resident Island Dance Theatre Witness their artistry live at the conference — stay tuned for registration details and secure your chance to experience these remarkable performances! 2026 FACP Manila Conference Asian Gems in the Arts 10-11 September, Adamson University #FACP2026 #FACPAnnualConference #FACPManila #AsianGemsintheArts #PerformingArtsBeyondTheNextStage #CulturalCenterofthePhilippines #AdamsonUniversity

After a meticulous review by the jury, we are delighted to reveal this year’s shortlist for Pitch for New Aspects: • Beyond Moving with Artisans: The Finale • Gitara ng Kapuluan: Building Sustainable Guitar Communities in the Philippine Archipelago • LORE • THE LAST CIRCLE: Reimagining Legaran Randai as a Living Network • What Happens When Memories Begin To Shift? • # Redefine: A Musician’s Self Inquiry Congratulations to all shortlisted entries! Your bold ideas and imaginative spirit have brought this year’s selection to life, and we can’t wait to see your presentations on stage. Shortlisted entries will send their representatives to pitch their projects live to international arts leaders at the 2026 FACP Annual Conference in Manila, with winners receiving cash prizes. Stay tuned for conference registration details — you won’t want to miss these inspiring creative pitches! 2026 FACP Annual Conference Pitch for New Aspects 11 September – Pitch Presentation 12 September – Awards Ceremony Adamson University #FACP2026 #FACPAnnualConference #FACPManila #PitchForNewAspects #PerformingArtsBeyondTheNextStage #CulturalCenterofthePhilippines #AdamsonUniversity

🚨 Deadline Extended! Great news - the submission window for 2026 Pitch for New Aspects has been extended. ‼️ New Deadline: 15 June 2026 (GMT+8) 👉🏻 Tell us about your innovative projects today, and you'll have the chance to win cash prizes and secure potential partnerships back home! #FACP2026 #FACPAnnualConference #FACPManila #PitchForNewAspects #PerformingArtsBeyondTheNextStage #CulturalCenterofthePhilippines #AdamsonUniversity

🔔​ OPEN CALL for 2026 𝑨𝒔𝒊𝒂𝒏 𝑮𝒆𝒎𝒔 𝒊𝒏 𝒕𝒉𝒆 𝑨𝒓𝒕𝒔 (AGA) The 42nd FACP Annual Conference is calling artists to present their exceptional talent at the AGA showcase on 10 September 2026 at the Adamson University Theater, Manila. If your performance celebrates cultural heritage in ways that spark new possibilities through innovation, this is your chance to take the spotlight! Apply by 8 June to be considered for the opportunity to have your work performed in front of arts leaders and practitioners from around the world. 📌 Submit an application → https://forms.office.com/r/cKBL1MJWQY 🔗 Learn more → www.facp.asia/2026-asian-gems-in-the-arts 💬 Enquiries → showcase.facp@gmail.com #FACP2026 #FACPManila #AsianGemsInTheArts #PerformingArtsBeyondtheNextStage #AdamsonUniversity #CulturalCenterofthePhilippines

📢 2026 𝙋𝙞𝙩𝙘𝙝 𝙛𝙤𝙧 𝙉𝙚𝙬 𝘼𝙨𝙥𝙚𝙘𝙩𝙨 is now CALLING FOR APPLICATIONS Whether you’re a bold artist under 35, a trailblazing curator or producer under 40, or part of a fearless collective, this is your moment to share your vision with the world! Step onto this stage for ideas that inspire, a meeting point where cultures converge, and a launchpad for collaborations that transcend boundaries. Let your work spark conversations across Asia and beyond, connecting you with leaders, innovators, and fellow creatives who believe in the power of the arts to transform society 🌍 The spotlight is waiting for YOU. 🔗 Submit your application → https://forms.office.com/r/nn5Vua5C86 📌 Deadline: 8 June (GMT+8) 📘 Details & Guidelines: https://www.facp.asia/2026-pitch-for-new-aspects 📧 Enquiries: showcase.facp@gmail.com #FACP2026 #FACPAnnualConference #FACPManila #PitchForNewAspects #PerformingArtsBeyondTheNextStage #CulturalCenterofthePhilippines #AdamsonUniversity

Themed “Performing Arts: Beyond the Next Stage”, this year’s conference looks into the future of the arts—examining what lies beyond today’s technologies and innovations. A vibrant mix of programs awaits, ready to spark ideas and celebrate diverse voices! 📅 9-12 September 2026 📍Adamson University, Manila 🟢 Symposium – insightful conversations on the evolving landscape of the arts 🟢 𝙋𝙞𝙩𝙘𝙝 𝙛𝙤𝙧 𝙉𝙚𝙬 𝘼𝙨𝙥𝙚𝙘𝙩𝙨 – fresh visions and innovative ideas presented by emerging voices 🟢 𝑨𝒔𝒊𝒂𝒏 𝑮𝒆𝒎𝒔 𝒊𝒏 𝒕𝒉𝒆 𝑨𝒓𝒕𝒔 – showcase of remarkable talents and cultural treasures across Asia And that’s just the beginning—many more activities will make this year’s gathering an inspiring experience for all participants. 👉 Watch this space for application details for 𝙋𝙞𝙩𝙘𝙝 𝙛𝙤𝙧 𝙉𝙚𝙬 𝘼𝙨𝙥𝙚𝙘𝙩𝙨 and 𝑨𝒔𝒊𝒂𝒏 𝑮𝒆𝒎𝒔 𝒊𝒏 𝒕𝒉𝒆 𝑨𝒓𝒕𝒔—your chance to step into the spotlight! #FACPManila2026 #PerformingArtsBeyondTheNextStage #CulturalCenterofthePhilippines See less

📣 SAVE THE DATE! The 2026 FACP Annual Conference will take place from 𝟵–𝟭𝟮 𝗦𝗲𝗽𝘁𝗲𝗺𝗯𝗲𝗿 𝟮𝟬𝟮𝟲 (Wednesday to Saturday), hosted by Cultural Center of the Philippines in Manila. Get ready for four days packed with inspiring sharing from leading arts practitioners from across the globe, exciting networking opportunities and cultural experiences that will make this gathering truly unforgettable. Mark your calendar and stay tuned for registration details and programme schedule! #FACP2026 #FACPManila #CulturalCenterOfThePhilippines

Welcome to the Federation for Asian Cultural Promotion (FACP)! It is with great honor and a deep sense of responsibility as I take on the mantle of leading FACP as its Chair in 2026-2028. With a storied history starting from its founding in Manila in 1981, FACP has served to assist and support performing arts organizations and professional artists throughout Asia in promoting their work throughout the world. It has also provided opportunities to its members to develop and foster closer links through meetings and conferences that allow for discussion and interaction leading to mutually beneficial cooperation. Building on the achievements of those who have led the organization through the years, I hope that the present FACP leadership can continue to count on the cooperation and dedication of its current members. I look forward to even more enriching and fruitful engagements among FACP members and the larger arts community, as we endeavor to expand our reach to other cities in the region. Looking forward to working with all of you! Sincerely, DENNIS N. MARASIGAN FACP Chair 2026-2028

Dear all, Greetings from Taichung, Taiwan. As my tenure comes to a close, I would like to extend my sincere appreciation to the FACP Executive Board Members and all Governors. Serving as Chairperson of FACP has been one of the most meaningful journeys of my professional life. Over the past three years, we have worked collectively to strengthen the organization and deepen our connections through artistic and cultural exchange. I am especially encouraged by the growing number of new members who have joined FACP in recent years. A total of 133 individuals became members for the first time, each bringing fresh perspectives. Their participation reflects that FACP is not only a well-established organization, but also a supportive, inspiring, and forward-looking community. I would also like to acknowledge the Clare C. and Friends Fellowship. Through this program, FACP has successfully engaged younger generations. Over the past three years, the Fellowship received 118 submissions, with 16 works presented to audiences. These projects demonstrate the creativity and vision of emerging artists, affirming that FACP serves not only as a professional network, but also as a nurturing platform for future development. Thank you to all members—both long-standing and new—for your dedication and support, which continue to shape FACP into a strong and caring community. I wish FACP every success in the coming Year of the Horse. Best Wishes, Joyce Y. Chiou FACP Chair 2023-25​

We are pleased to announce that Mr. Dennis Marasigan, Manila Governor, has been elected as the Chairperson of FACP for the 2026-2028 term.

How are performing arts organizations redefining audience engagement through collaboration, technology, and creativity? From co-curation and youth involvement to virtual factories and XR productions, the discussion emphasized building long-term community connections that extend beyond performances. Moderator Soo Hyun Kim | Arts and Culture Correspondent, SBS Speaker Low Kee Hong | Artistic Director, Manchester International Festival Jinhak Park | CEO, StageOne Sunmi Kim | Director, Korea Manhwa Contents Agency Inventing Tomorrow Together Low Kee Hong described the festival’s long-term vision of cultivating sustained relationships with audiences, artists, and communities. Engagement is viewed not as a one-time encounter, but as an ongoing network of shared experiences, much like bonds within a family. The festival emphasizes co-curation, where artists, residents, and young people are partners in shaping programs; learning and youth engagement, empowering emerging voices; and community research led by local organisers to identify and understand audiences. To expand reach beyond traditional venues, the festival experiments with digital hybrid formats, XR productions, and large-scale public realm experiences. Initiatives such as Factory+, a virtual cultural hub developed in collaboration with major technology partners, attracted 1.5 million visitors worldwide. Works like VR-based hybrid exhibitions (e.g., Sweet Dreams) demonstrate how immersive environments can bring people together in shared creative encounters. Supporting artist development and experimentation remains central, ensuring that new audiences are engaged from both cultural and technological perspectives. New Audiences, New Approaches: Curating Classical Music for a Changing World Jinhak Park examined how the Korean classical music market has shifted toward a celebrity-centered model, where a small number of celebrated pianists achieve widespread visibility while many other talented musicians remain underrecognized. As cinema and game music concerts increasingly attract younger audiences, strategies are needed to broaden interest beyond a few star figures. To reconnect classical music with contemporary culture, Park emphasized positioning concerts as accessible entertainment rather than formal, restrictive events. Approaches include allowing casual photography, improving venue food and beverage offerings, and adopting marketing strategies inspired by popular cultural industries. Addressing structural issues, such as ticket scalping and over-discounting, will also help sustain value and trust. Park encouraged artists to embrace the role of storytellers and performers, explore diverse themes, and develop merchandise and fan communities to deepen engagement and create new pathways for revenue. Comics on Stage: Reborn as Creative Art Sunmi Kim highlighted how manhwa and webtoons, characterized by their responsiveness to social trends and accessibility through open platforms, have become rich sources for live performance adaptation. Their active reader communities and vivid storytelling provide strong foundations for theatrical reinterpretation across genres. Several recent productions illustrate this potential: The Great Gatsby (Kang Do-ha) reimagined as multiple musical adaptations. Navillera, a deeply human narrative of intergenerational ballet dreams, now touring internationally. Along with the Gods, staged with immersive LED installations to recreate its expansive universe. Jeongnyeon, the first webtoon adapted into changgeuk (traditional Korean opera). Key factors for success include maintaining balance between the original narrative and stagecraft, leveraging fandom culture, integrating technology, and expanding intellectual property globally. Looking ahead, strategies for revitalization involve bridging comic fans and theater audiences, pursuing international markets, and experimenting with genre fusion and digital staging formats. Together, these shifts signal a new era where art forms merge, industries collaborate, and the stage expands far beyond its physical boundaries.